An all-time favorite of gentleman’s attire has been deftly executed by Buzz Rickson’s – the Original-Spec. Khaki Chino Trousers! The Original-Spec. Khaki Chino trousers by Buzz Rickson’s get their name due to these being made from an original spec. of the Buzz Rickson’s brand.  This design is derived from a blend of different U. S. Army specs. of the 1940s, taking a little from each spec., the sum of which is this top-selling khaki chino trouser produced by Buzz Rickson’s.

The quality of materials, construction detailing, and overall fit will surely impress any diehard fan of classic chino trousers.  Crafted from hard-wearing uniform twill that matches the original military spec. in color, heft and hand perfectly, these trousers will outlast and surpass in appearance and quality ANY high-profile competitor’s khaki chino trousers you can find.  The fit of our chino trousers is not at all baggy or tight; Buzz Rickson’s Original-Spec. Khaki Chino Trousers are sensibly tailored and yet still very comfortable.  This is the only chino trouser on the market today that so closely emulates the fit and appearance observed on the chino trousers immortalized by Steve McQueen in his famous role as “Virgil Hilts” from the classic WWII PoW film “The Great Escape.”

Noteworthy features of Buzz Rickson’s Original-Spec. Khaki Chino Trousers include:

•Slimmer fit in the seat, thigh area and the lower leg as opposed to the fuller cut found on any of the other khaki chino trousers produced by Buzz Rickson’s.

•Slightly lower front rise than on most other chino trousers by Buzz Rickson's.

•All leg, seat and crotch seams are double-stitched and wrap-folded for extra strength.

•Inner-hung pockets and waistband are fabricated from heavy-weight, off-white cotton drill, exactly as the original military trousers of the 1940s were made.

•Waist and inseam size stamped in black into the waistband, exactly as found on the original military examples from the 1940s.

•Brown-colored genuine urea button at waist.

•Brass zipper at fly opening.

•Narrow-stitched, double-welt rear pockets and watch pocket (located on right front below waist).

•Seven belt loops for better support of your belt.

•Pre-washed for greater softness when new, and pre-shrunk so you can readily determine the correct size with no guessing about after-wash fitting.

Sizes:

28 x 32”

29 x 32.5”

30” x 32.5”

31” x 33.5”

32” x 33.5”

33” x 34.5”

34” x 34.5”

36” x 34.5”

38" x 36.5"

Please see our SIZING TIPS for advice on how to get the correct fit.

Buzz Rickson’s goods are imported from Japan

The U. S. Air Force Type L-2A Light Flying Jacket replaced the highly popular Type L-2 Light Flying Jacket in 1950.  Like the L-2, the L-2A Flying Jacket was favored for it’s lightweight construction, comfortable non-bulky warmth and natural good looks. The L-2A Flying Jacket was intended for wear in climates between 42 degrees and 65 degrees Fahrenheit, thus ideally suited for spring, summer and fall. The essential difference between the L-2 Flying Jacket and L-2A was color. 

By 1950, the USAF began changing the color of most of its flying clothing from Olive Drab to Air Force Blue as part of an overall plan to forge a separate identity from the other branches of service, especially the army; however, this very attractive, distinctive blue color lasted in production but for a short while.  The realities of combat in Korea proved that a downed aviator had a far better chance of survival and evading capture wearing clothing in a color that camouflaged the wearer, thus the blue flying clothing became nothing much more than a prestige symbol used in non-combat areas by the end of the Korean War.

Buzz Rickson has reproduced this limited edition of an early, transitional L-2A Flying Jacket as produced by the original USAF contractor Superior Togs.  This L-2A reflects usage of leftover knit components in light-colored olive drab from the end of the L-2 production during that transitional time when supplies of the matching blue knit were not yet keeping pace with the then-new implementation of blue-colored flying jackets and where waiting for the blue knit to be fully available was deemed worse than making use of this non-matching knit color. Such mismatching of color has been observed on other articles of flying clothing of the same era, such as the blue B-15C and N-3A Jackets and blue A-11C Trousers; any of these garments utilizing mismatched components should be considered very rare and not reflective of the majority from the era.  Though the mismatched look is very unusual, it’s also considered quite attractive to many enthusiasts, as it does indeed create a very authentic, as-issued look that accurately reflects the essence of what these garments were intended for – function and utility above all else. 

This Buzz Rickson's L-2A Flying Jacket correctly captures all the nuances and features found on some mismatched vintage L-2As, making this product virtually indistinguishable from a vintage example of this type the USAF.  Take note of these authentic features:

• Exact copy of the original maker’s label produced on a vintage shuttle loom that includes the contractor name, Superior Togs

• Custom manufacturing of the correct weight, weave and color USAF Blue nylon outer shell to precisely match 1950 USAF specs. and treated to repel water

• Custom manufacturing of the correct 65% nylon 35% wool double-faced inner lining

• Exact copy of the super-desirable, spring-loaded late 1940’s Crown zippers on sleeve pocket and jacket front, with zip tape made of 100% cotton HBT fabric, not incorrect poly-cotton

• Correct USAF spec. leather pull tabs on zippers

• Custom manufacturing of the correct two-ply 100% worsted wool-knit collar, cuffs and waist skirt in light-shade olive drab

• Heavy parachute-harness nylon in USAF Blue correctly sewn to left front chest for attaching oxygen mask retainer clip

• Snap-down pocket flaps and shoulder straps crafted to match the style found on L-2A Flying Jackets

• USAF insignia transfer on left sleeve in full color, and under maker label in lining in off-white stencil form

• Zippered pocket on left sleeve outfitted with four pen/pencil slots and two anti-puncture pencil caps made of 1945-spec. USAF brass

Sizes 34-44.  This style is light weight and fits generously; thus, a size 44 should, in most instances, comfortably fit a 46" chest measure.

Crown is a registered trademark in the USA of History Preservation Associates

Buzz Rickson’s goods are imported from Japan

The U. S. Army’s elite paratroopers of WWII were particularly creative when it came to enhancing their appearance while wearing working or dress uniforms; anything that looked cool and made them appear more distinctive and stand out as paratroopers was their objective in altering their uniforms. Among various uniform enhancements adopted by the paratroopers was the wearing of camouflage neck scarves fabricated from damaged parachute canopies – the scarves were never an issue item of clothing. 

The paratroopers made their parachute jumps using the T-5 parachute, which featured a reserve chest pack that housed a white parachute canopy and a main back pack that typically contained a camouflaged parachute canopy.  Since the main chute was the primary chute to be deployed when performing a combat jump, logic dictated that the canopy be made of camouflaged nylon parachute fabric to better conceal the deployed parachute canopy. These camouflaged scarves were typically made rather hastily and simply cut with a knife from canopies that were no longer serviceable or found in combat areas after a drop, hence the edges were not bound or sewn and were left unfinished, unlike a proper issue scarf. 

The practice of making and wearing the camouflaged neck scarves by the paratroopers was fairly wide spread and can be seen in photos while they were wearing their combat uniforms, class B uniforms or with the coveted USAAF A-2 jackets.  Some USAAF C-47 aircrew of Troop Carrier Command responsible for delivering the paratroopers to their final destinations also wore the camouflaged scarves with their flying jackets, and immediately following the Normandy parachute drops in June 6, 1944, many non-parachute soldiers on the ground, such as U. S. Army Rangers, regular line infantrymen, artillerymen, engineers, etc.,  found ample camouflage canopies all over the countryside and adopted the wearing of scarves or camouflaged their helmets with covers fabricated from the discarded canopies.

The scarves we offer are all extremely limited offerings, being fabricated exactly as the original examples were – cut from a WWII-marked nylon camouflage parachute canopies and left with edges unfinished, just as most original scarves of this type were cut.  Our scarves are always fully GUARANTEED to be WWII vintage and made from canopies that must display WWII dates of manufacture and or "AN" stamps on each panel.  "AN" stampings reflect joint approval for Army-Navy use and it was directed that these stampings appear on every panel of a canopy produced during the WWII years. If you want to know for certain your scarf is a genuine wartime example, this may be your last your chance.  This is the perfect companion item for our any of our WWII U. S Army or AAF jackets.  You are buying a true piece of WWII history, NOT a copy - supplies are very limited, so get your scarf before they are gone forever!

GI's in Europe during WWII took to wearing camouflage scarves made from the canopies of parachutes.  American paratroopers had been wearing this type of scarf or kerchief made from their own parachute canopies prior to the D-Day invasion, where troopers simply hacked away sections of their damaged canopies and turned them into combat fashion attire.  As Normandy fighting spread, U. S. paratroopers were soon observed sporting their cool-looking camouflage scarves by a growing number of GI's and it was catching:  American soldiers of all types were taken by the fashion statement, including select USAAF aviation units.  

The Normandy battlefield was littered with parachute canopies after the D-Day drop of paratroopers and cargo, with cargo drops continuing for some time thereafter.  Additionally, the Americans found themselves fighting several German paratroop (Fallschirmjäger) units in Normandy that also had ample stocks of their own unique camouflage parachute canopies at their bases, and German units were also supplied, at times, by air-dropped cargo hanging beneath camouflage parachute canopies.      

GI's of every stripe were soon found wearing camouflage scarves.  As the fighting spread throughout France in the summer and fall of 1944, GI's had turned the wearing of camouflage scarves made from parachute canopies into a fad, most especially, German Fallschirmjäger camouflage canopies.  The fad came to the attention of American command at least by late July 1944, and it was not welcomed:  an order was issued to discontinue the practice, but as photo evidence and documents show, GI's paid this order little mind - GI's disliked chickenshit orders.  Ultimately, by the time of the occupation of Germany in 1945, Fallschirmjäger camouflage scarves were actually being fabricated for sale to GI's!

We were fortunate enough to obtain a GENUINE WWII-issue German Fallschirmjäger camouflage parachute canopy; this canopy seems to be of early manufacture, as it clearly is made from silk and not synthetic fibers.  We're selling camouflage scarves cut from this canopy in the original fashion, as illustrated in our vintage photo of U. S. 3rd Army nurses in France, which is hand cut using scissors, leaving a raw, unstitched edge exposed on all sides.  Scarves will measure approximately 48" long x 12" wide, perfect for forming a scarf or kerchief to add that extra level of battlefield chic to your wardrobe.   Our stock is available until the canopy is exhausted - this is GENUINE WWII - so get them while you can!!!

Special thanks to our good friend and researcher, Mr. Thomas H. Kelly, for finding and providing the photo of U. S. 3rd Army nurses in France cutting up a German Fallschirmjäger camouflage parachute canopy and the U. S. Army HQ order to discontinue the practice of wearing parachute canopies turned into scarves.

Manufactured from the finest, naturally grown cotton (no chemicals in the growing yields a higher water absorption rate when the indigo dye meets the threads, thus more beautiful fading over time from wear) in a lighter 12-ounce weight vs. 14.25 ounces on the 1947 style, this Sugar Cane jean style debuted in 2014 and is often referred to as the Sugar Cane 2014 Jean, though it is officially known as the Sugar Cane Type III 1947 Jean. 

These jeans are based from the original Levi Strauss classic 1947 XX 501 but they have been given a contemporary revision in cut:  the front and back rises are lowered, the legs tapered and narrowed even more than the Type II 1947 style, and the seat taken in, creating a slim appearance from the knee down, though they are not in any way a pencil-leg jean style.  The lighter denim weight makes this a great jean for most climates, and they can be comfortably worn even in the warm-weather months.  The combination of the new, lighter denim and the contemporary fit have made these one of Sugar Cane’s most popular jean styles for wear with sneakers.  

Other than the leaner cut and lighter-weight denim, the basic styling details and hardware on these jeans remain the same as found on the famous Sugar Cane 1947 Jeans.  Take note of these authentic features and details found only on a premium selvage jean of this pedigree:

• Button-fly, five-pocket construction

• Famous, hidden reinforcing rear pocket rivets to prevent scratching of saddles and furniture, which were deleted on 501 production in the 1950's

• Original-style paper flasher and labels employed on the outer packaging of the original dungarees

• Genuine, deerskin leather patch with Sugar Cane logo in a style and color reminiscent of that found on the original 501 XX's

• Custom manufactured from the finest, naturally grown, uneven-cotton yarns from a blend of Zimbabwe and Texas cotton staples woven into 12-ounce selvage denim produced on the original shuttle looms employed back in the 1930's, including a color matching to the shade of blue employed in the manufacture of the original 501 XX dungarees and pink selvage edge

• Rope dyed with all-natural indigo

• Custom manufacturing of copper rivets and buttons to precisely match design style, size and dimension of the vintage pieces

• Custom manufacturing of the heavy, all-cotton twill to fabricate pockets, not the thin weaves found on many mainstream jeans made today

• Exact duplication of original stitch style throughout construction

• Exact color and grade matching of the all-cotton thread employed in original manufacture

• Exact duplication of 501 XX rear pocket shape and attachment stitching

• Riveted coin pocket

One-wash jeans are rinsed once in cold water to produce a product that is fully shrunken and ready to wear; you don't need to worry about additional shrinkage of any consequence.

Please see our SIZING TIPS for advice on how to get the correct fit.  

Fit/sizing:   Waist sizes available 26, 27, 28, 29, 30, 31, 32, 33, 34, 36 & 38.  Sizes up to and including 29 will have an approximate 32” inseam, and waist sizes 30-38 will have an approximate 34" inseam.  All sizes marked on label reflect approximate after-wash, post-shrinkage measurements; this means that a pair of one-wash jeans size 34 x 34 will have an approximate 36" waist measure and a approximate 33" inseam measure.  Measures are always listed in approximate terms due to the erratic nature of selvage denim.  Waist measures are the most erratic and can be 2" larger than the size on the label, so if you require a specific measurement for the waist and/or inseam, please contact us and we will let you know what we have available.  Waist measures will also stretch out permanently by about 1"-1.5" after being worn approximately 20-25 times.

Sugar Cane products are imported from Japan

Manufactured from the finest, naturally grown cotton (no chemicals in the growing yields a higher water absorption rate when the indigo dye meets the threads, thus more beautiful fading over time from wear) in a lighter 12-ounce weight vs. 14.25 ounces on the 1947 style, this Sugar Cane jean style debuted in 2014 and is often referred to as the Sugar Cane 2014 Jean, though it is officially known as the Sugar Cane Type III 1947 Jean. 

These jeans are based from the original Levi Strauss classic 1947 XX 501 but they have been given a contemporary revision in cut:  the front and back rises are lowered, the legs tapered and narrowed even more than the Type II 1947 style, and the seat taken in, creating a slim appearance from the knee down, though they are not in any way a pencil-leg jean style.  The lighter denim weight makes this a great jean for most climates, and they can be comfortably worn even in the warm-weather months.  The combination of the new, lighter denim and the contemporary fit have made these one of Sugar Cane’s most popular jean styles for wear with sneakers.  

Other than the leaner cut and lighter-weight denim, the basic styling details and hardware on these jeans remain the same as found on the famous Sugar Cane 1947 Jeans.  Take note of these authentic features and details found only on a premium selvage jean of this pedigree:

• Button-fly, five-pocket construction

• Famous, hidden reinforcing rear pocket rivets to prevent scratching of saddles and furniture, which were deleted on 501 production in the 1950's

• Original-style paper flasher and labels employed on the outer packaging of the original dungarees

• Genuine, deerskin leather patch with Sugar Cane logo in a style and color reminiscent of that found on the original 501 XX's

• Custom manufactured from the finest, naturally grown, uneven-cotton yarns from a blend of Zimbabwe and Texas cotton staples woven into 12-ounce selvage denim produced on the original shuttle looms employed back in the 1930's, including a color matching to the shade of blue employed in the manufacture of the original 501 XX dungarees and pink selvage edge

• Rope dyed with all-natural indigo

• Custom manufacturing of copper rivets and buttons to precisely match design style, size and dimension of the vintage pieces

• Custom manufacturing of the heavy, all-cotton twill to fabricate pockets, not the thin weaves found on many mainstream jeans made today

• Exact duplication of original stitch style throughout construction

• Exact color and grade matching of the all-cotton thread employed in original manufacture

• Exact duplication of 501 XX rear pocket shape and attachment stitching

• Riveted coin pocket

Non-sanforized, unwashed, raw-denim jeans will experience significant shrinkage after the initial wash and drying.  Please see our SIZING TIPS for advice on how to get the correct fit in these non-sanforized, unwashed, raw-denim jeans.  Unwashed, raw-denim measures can be found under the tab PRODUCT MEASUREMENTS.

We will also be glad to measure the waist of jeans we have in stock to be sure what we send you has the measurement you require, so please ask before ordering. 

Fit/sizing:   Waist sizes available 26, 27, 28, 29, 30, 31, 32, 33, 34, 36 & 38.  Sizes up to and including 29 will have an approximate 32” inseam after washing; waist sizes 30-38 will have an approximate 34" inseam after washing.  All sizes marked on label reflect approximate after-wash, post-shrinkage measurements; this means that a pair of one-wash jeans size 34 x 34 will have an approximate 36" waist measure and a approximate 34" inseam measure.  Measures are always listed in approximate terms due to the erratic nature of selvage denim.  Waist measures are the most erratic and can be 2" larger than the size on the label after shrinkage; waist measures will also stretch out permanently by about 1"-1.5" after being worn approximately 20-25 times.

When ordering, please feel free to state in the order notes the actual waist measurement you desire in the jeans being purchased and we will measure the jeans before shipping to you.

Sugar Cane products are imported from Japan

Manufactured from the finest, naturally grown cotton (no chemicals in the growing yields a higher water absorption rate when the indigo dye meets the threads, thus more beautiful fading over time from wear) in a lighter 13-ounce weight.

Black denim is a rare offering from Sugar Cane, and these jeans are quite special in this regard:

There are two different black yarns employed to craft this fabric.  The warp is fabricated from sulfur-dyed yarn and the weft consists of a reactive, pigment-dyed yarn.  The result is that the warp will fade over time from black to gray to near-white after significant wearing, whereas the weft will stay black and only fade to a medium gray, very slowly.

The jean cut is based from the original Levi Strauss classic 1947 XX 501 but they have been given a contemporary revision in cut:  the front and back rises are lowered, the legs tapered and narrowed even more than the Type II 1947 style, and the seat taken in, creating a slim appearance from the knee down, though they are not in any way a pencil-leg jean style.  The lighter denim weight makes this a great jean for most climates, and they can be comfortably worn even in the warm-weather months.  The combination of this exotic, black denim and the contemporary fit have made these one of Sugar Cane’s most popular jean styles for wear with sneakers.  

Other than the leaner cut and black denim, the basic styling details and hardware on these jeans remain the same as found on the famous Sugar Cane 1947 Jeans.  Take note of these authentic features and details found only on a premium selvage jean of this pedigree:

• Button-fly, five-pocket construction

• Famous, hidden reinforcing rear pocket rivets to prevent scratching of saddles and furniture, which were deleted on 501 production in the 1950's

• Original-style paper flasher and labels employed on the outer packaging of the original dungarees

• Genuine, deerskin leather patch with Sugar Cane logo in a style and color reminiscent of that found on the original 501 XX's

• Custom manufactured from the finest, naturally grown, uneven-cotton yarns woven into 13-ounce selvage denim produced on the original shuttle looms employed back in the 1930's and featuring a selvage edge

• Yarn-dyed black selvage denim

• Custom manufacturing of copper rivets and buttons to precisely match design style, size and dimension of the vintage pieces

• Custom manufacturing of the heavy, all-cotton twill to fabricate pockets, not the thin weaves found on many mainstream jeans made today

• Exact duplication of original stitch style throughout construction

• Exact color and grade matching of the all-cotton thread employed in original manufacture

• Exact duplication of 501 XX rear pocket shape and attachment stitching

• Riveted coin pocket

One-wash jeans are rinsed once in cold water to produce a product that is fully shrunken and ready to wear; you don't need to worry about additional shrinkage of any consequence.

Please see our SIZING TIPS for advice on how to get the correct fit.  

Fit/sizing:   Waist sizes available 26, 27, 28, 29, 30, 31, 32, 33, 34, 36 & 38.  Sizes up to and including 29 will have an approximate 32” inseam, waist sizes 30-36 will have an approximate 34" inseam, and size 38 has an approximate 36" inseam.  All sizes marked on label reflect approximate after-wash, post-shrinkage measurements; this means that a pair of one-wash jeans size 34 x 34 will have an approximate 36" waist measure and a approximate 34" inseam measure.  Measures are always listed in approximate terms due to the erratic nature of selvage denim.  Waist measures are the most erratic and can be 2" larger than the size on the label, so if you require a specific measurement for the waist and/or inseam, please contact us and we will let you know what we have available.  Waist measures will also stretch out permanently by about 1"-1.5" after being worn approximately 20-25 times.

Sugar Cane products are imported from Japan

This is a Sun Surf Special-Edition Hawaiian shirt produced under their Duke Kahanamoku label.  The design deftly copies an original example produced in 1950 under Duke's own brand, but this print achieved more fame when it appeared in "Big Wednesday, the 1978 John Milius coming-of-age surfing film set in the 1960's.  Worn by lead actor Jan Michael Vincent, this exact shirt clearly ended up as the co-star of the film; the film is credited with the resurgence of interest in vintage Hawaiian shirts!

Special Editions are manufactured to degrees of authenticity that soar beyond the standard editions, fabulous as the standard editions are; each Special Edition is precisely recreated to match the vintage example it copies using yarns and dyes specifically reproduced to match just this one shirt style to utmost precision, and the rayon is screen printed using a filament discharge, just as the original examples of this print once were. 

Special Editions incorporate colors and color shades not found on the standard editions, thus providing for more precise color matching to the vintage shirt being copied.  Other original features include: two deftly matched invisible pockets, mother-of-pearl  buttons that precisely match those found on the original shirt, and a label that precisely copies the  original label found on this shirt with the legendary name of Duke Kahanamoku.  And to enhance the collectibility of this shirt, it comes in its own presentation/storage box.  Once produced, the special edition is retired from production, thus ensuring each is extremely limited in quantity made.

Sun Surf Special Editions are nearly impossible to obtain outside of Japan and we are proud beyond words to have been able to obtain a few of this shirt print that stands out as one of the most unique ever offered.  

To help preserve the fabric and colors, dry cleaning is the only laundering method endorsed by the manufacturer.

Please see our SIZING TIPS for advice on how to get the correct fit.

Imported from Japan

This is a Sun Surf Special-Edition Hawaiian shirt, the design of which deftly copies an original example produced in 1950 under the Pali brand.  Original examples of this shirt are extremely rare, and the colors must be seen in person to be appreciated fully:  This is the most colorful offering we have!

Special Editions are manufactured to degrees of authenticity that soar beyond the standard editions, fabulous as the standard editions are; each Special Edition is precisely recreated to match the vintage example it copies using yarns and dyes specifically reproduced to match just this one shirt style to utmost precision, and the rayon is screen printed using a filament discharge, just as the original examples of this print once were. 

Special Editions incorporate colors and color shades not found on the standard editions, thus providing for more precise color matching to the vintage shirt being copied.  Other original features include: one deftly matched invisible pocket, genuine wooden buttons that precisely match those found on the original shirt, and a label that precisely copies the  original label found on this shirt.  And to enhance the collectibility of this shirt, it comes in its own presentation/storage box.  Once produced, the special edition is retired from production, thus ensuring each is extremely limited in quantity made.

Sun Surf Special Editions are nearly impossible to obtain outside of Japan and we are proud beyond words to have been able to obtain a few of this shirt print that stands out as one of the most unique ever offered.  

To help preserve the fabric and colors, dry cleaning is the only laundering method endorsed by the manufacturer.

Please see our SIZING TIPS for advice on how to get the correct fit.

Imported from Japan